The Maximus Miracle Virtual Tour
Crosses the Atlantic
Purchase The Wrong Miracle Here! Royalties from the Sale of the Book Go to Sands - the Stillbirth and Neonatal Death Charity.
The Art of Breathing welcomes Liz Gallagher and Arlene Ang to Dallas, Texas for the second stop of Liz's Whirlwind Virtual Book Tour for her first full-length collection, The Wrong Miracle ( Salt 2009). If you missed the first installment read it at Arlene Angs blog The Event Museum.
Brenda: Liz and Arlene, welcome to the Art of Breathing. How was your flight? Hope you like catfish, fried potatoes and strawberry shortcake. You're not allergic to cats are you Arlene? I have no idea why these crazy animals won't leave you alone, I promised them fish if they behaved.
Liz: Brenda, thank you so much for having me here on The Art of Breathing. I am so looking forward to chatting and feasting with you (I am thinking of your strawberry shortcake! Yum!). Hope you like the fish Arlene smuggled over on the plane for us, she is a true dare-devil...even the sniffer dogs could not sniff out this fish...it's gotta be delish. And wow! I adore your leopard print jogging suit. Arlene's dressmaker is fantastic, isn't she?
Brenda: This jogging suit is comfy; I wear it everywhere. As I read your book I was struck by several things, first by how your poems embrace the breadth of the human experience, poems that touched on love, grief, war and yet I found as I read through the poems a resilence of spirit and I wondered how growing up in your native Ireland in the late 70's and early 80's contributes to the pragmatic optimism of your work?
Liz: What a great question, Brenda! Love the term 'pragmatic optimism', and delighted that you think it exists in my work. Yes, I think I am probably an optimist, and pragmatic too, hopefully. This may all come from the fact that I was brought up in a Northern border county (Donegal - meaning a county that borders on what is known politically as Northern Ireland and which the U.K. claim), Donegal has always been on the edge of things ….tourists have just started visiting there over the past decade but before that we were quite isolated from the rest of Ireland as with the problems/'troubles' in Northern Ireland people did not want to cross the North to get to Donegal. In the 70s and early 80's especially there was always the shadow of war hanging over the county. It was when I first left Donegal to study in Dublin that I realised that soldiers with guns coming on to buses to do searches was not normal neither was the over-familiarity with the word 'sniper' …Another factor that may have kept, and still may keep, Donegal on the edge is that, as far as I know, it is the only county in Ireland without a train system running through it meaning that it is doubly difficult to get to, which has both advantages and disadvantages. Consequently, we in Donegal have been left to our own devices a lot of the time and therefore have had to be resilient! And from resilience comes optimism. Also, I am from a working class background, I was brought up on a farm and as children we helped my parents on the farm. It was hard work but I think it made me not feel afraid of hard work and believe that we can get what we want through hard-work and optimism. I also cherish humour in all that I do/attempt and that comes from my parents and their attitude to life...which was literally 'let's just get on with it' while trying to see the humorous side of things too. I imagine there could be different aspects of all of the above that have leaked into my work.
Brenda: Your poetry is a beautiful marriage of thought, image and sound, I love to read your poems aloud and savor the musicality of your words. How conscious are you of sound as you write?
Liz: Thanks, Brenda. Consciously, I really don't consider sound as such, but in my head I can hear the words as I write them, I don't actually read my work aloud to myself as I'm drafting but subconsciously the music seems to be there in my head. I trust my instincts on what fits together as I try to make the lines balance. I loved singing as a child so maybe that is connected to it. I also think that having gone to an all-Irish primary school made me very aware of language as from 4 years old, all my learning was done in a second language as I started school not knowing any Irish at all. Irish is a very beautiful and musical language and it has affected my relationship with the English language. And not to mention that now most of my daily life takes place in the Spanish language which is a very flamboyant. emotive and musical language...
Brenda: I read your book several times and each time I found myself thinking of grief, of lost loved ones, but not in a sad way, in a way that honored those that came and left before, you weave a song of living, from begining to end, as if you embrace humanity in your arms without censor-an acceptance of life, love, joy, wonderment, awe, grief, death, war and the human need to question. It is this questioning, this wonderment and joy and innate curosity that had me page turning from begining to end, and my final question is this, What questions would you like your readers to ask themselves as they read your book, what conversation with self would you want your book to prompt in a reader?
Liz: Thanks for the feedback on how you read the book, Brenda, it delights me that you got so much out of it. And gosh! Yes! What an interesting question! Well, I suppose like most poets or writers in general, I would really hope that those reading the book would find a connection to their own lives in there that would make them want to keep on reading. I'd also love for them to be find an element of surprise there, maybe not the full-blown surprise and excitement that I myself found on writing most of these poems, but a hint of that surprise and excitement. I know that when I read a book of poetry, I want to be shown something that I may not have consciously known of or felt before and that on reading a particular poem or book of poems, I get this 'clicking together' feel...which makes me want to re-read the work to experience it again or to dig deeper to see what else is there. C.S. Lewis said we read to know we are not alone and Seamus Heaney said 'I rhyme to see myself, to set the darkness echoing'. To me, this is the perfect relationship of reader-writer. Thanks so much for your hospitality, Brenda, loved the delicious meal...it was a total pleasure being here. Oh and just to round things off, can I tempt you with a glass of Baileys? : )
Brenda: Your welcome and thank you so much coming and sharing your thoughts and words with us, and for Arlene for bringing the fish and entertaining my cat meneagrie while we talked. Yes, I would love another Baileys. I just wanted to let my readers know that they can purchase your wonderful book from Salt Publishing, and through November 11 you can buy The Wrong Miracle at 40% off. All proceeds for the Wrong Miracle go to SANDs, the Stillbirth and Neonatal Death Charity. Where to next Liz?
Liz: Next week, on the 12th of November, I'll be back in my homestead in Ireland at Nuala's Woman Rule Writer Blog ….can't wait to make it there to Nuala's and maybe have some time to browse the Galway city Saturday market afterwards.